Wednesday, November 30, 2011
The strength of his camera is not its ultimate quality but its small size. If he sees a picture, his camera is always handy.
Family visits are a great time for seeing pictures. If you haven't seen each other recently, there is that new-moment quality keeping one's eye alert.
When his niece, not yet three, figured out how to get a drink from the public drinking fountain, my nephew grabbed the picture. He captured the memory. Nice.
I love the little girl's confident expression as the little girl climbs up her grandfather's chest to a height of more than five feet.
Grandpa is holding the child by her arms and not her wrists. There is more care being taken here than one might think.
One can quibble over the angle; It might have been an even better shot if taken from a spot a little to photographer's left. This would have put granddad completely in the picture.
But we must remember, we are capturing family moments, not perfect images for the National 'G'. In a family photo album, this image is a ten.
Note: my nephew is NOT using his camera's build-in, straight on strobe. This is good, in my opinion. I will take available light over flash almost every time. It helps to keep the feel of an unstaged moment with subjects unaware of the camera.
Sunday, November 13, 2011
When I worked as a photographer at a newspaper, we had a rule: If it couldn't have been done in the wet darkroom, we were not to do it in Photoshop. Messing too much with pictures was a firing offence.
Get it right when you're shooting it. Distracting backgrounds and off balance compositions have to be eliminated in the shooting and not in Photoshop. Get caught taking something out of the background and you might well find yourself being taken out of the newsroom.
That said, outright lies in photographs were quite another matter. The chain that owned the paper for which I worked saw nothing wrong with using models in news photos; The paper I worked for saw this as a travesty.
Which brings me to today. I am now shooting with a Fuji HS10. It's slow. The shutter lag can be a killer. It can be awfully hard to get the composition just so. Today's image had too little water at the bottom and was a little shy on the left, too.
I took the image and, using content aware in Photoshop, I added extra water on the bottom and left. The picture looks better but is it still an honest picture? Doing what I did is sorta creative but does that allow this to slip by under the umbrella defence of art? It is hard to take too much credit for the craft, that credit goes to the software writers at Adobe.
I know if I still worked at the paper, I would leave unbalanced swans alone. Is this still a good rule? My gut feeling is this question risks stirring up a lot of unbalanced critical comments.
It was a firing offence: Part Two
Newspaper photographers are not supposed to manipulate images. They are allowed to adjust the tonal range, make blacks black and whites white, but this is not seen as manipulating the image. This is just making a good quality print.
But the day could have been flat and the dull-toned image might be accurate. Still, it was O.K. to change contrast. In the wet darkroom it was as easy as changing the paper grade.
Please check out the following link to the well known Pulitzer Prize winning photo by John Filo showing a kneeling, young woman screaming over the body of a fallen student, one of four killed when National Guardsmen fired in to a crowd of demonstrators.
Note the missing fence post above the young woman in the image taken from Life magazine. It is stuff like this that my old editors were trying to prevent. But today, with the ease that Photoshop can alter an image, almost seamlessly, adding water to a picture, water that is in fact there but cropped out by the camera, can get oneself into the deepest of job-threatening, doo-doo.
Newspapers and news magazines like National Geographic don't need to be defending their images. The National G. knows first hand how yielding to the temptation of improving an image in Photoshop can lead to red-faced embarrassment than can't be as easily Photoshopped away.
The National G. once was caught moving the pyramids and another time was accused of adding water to an image in order to use a horizontal image in a vertical format on the magazine cover.
The technology has made the modifying of images very easy and very tempting. If you work at a newspaper, the Devil uses Photoshop. Take care.