Asking kids to "say cheese" is cheesy

My oldest granddaughter uses her sewing machine and the sound bothers her sister.

My granddaughters have been asked to say "cheese" so often that when they play with a toy camera they ask their dolls to say "cheese." I'd like to scream: "Why!"

Saying cheese doesn't make a subject look like they are smiling. What it does is it stops them doing what they were doing that made you want to take a picture. Take the picture and forget the cheese.

Shooting RAW worth considering under difficult conditions

Love the swirling colours thanks to the slow shutter speed. A  lucky shot.

I've never been a big booster of shooting RAW. As mainly a shooter for a local daily newspaper, JPEG did just fine and it was quicker to work with when getting images into the paper -- or so I believed. This past Monday I had to question my position. I shot my six-year-old granddaughter on stage with the Kidlets of the Original Kids Theatre Company. Working on the RAW images was both fast and exceedingly easy.

I use Photoshop CS6 and Photoshop would not show me a preview of my RAW images. I had to boot up Bridge to see the all important previews. This isn't that big a deal but it is a miner hassle.

RAW image straight from camera.

Now, let me show you the RAW image as it came from the camera.

Now, in defence of my former love of JPEG images. When I was working, I was shooting with a top-of-the-line Canon camera. That was one wonderful camera and it corrected colour in camera using some amazing algorithms.

That said, two photogs at the paper tried shooting RAW. One loved it and found it fast and efficient. The other found shooting RAW slowed him down. News shooters cannot let anything creep into their working methods that eats into the time needed to get their images into the paper.

Today I am shooting with a Fuji FinePix HS10. It is a good camera for the price and I'm happy. That said I've learned to shoot RAW. It clearly offers more latitude when it comes to image enhancement. And, as I use it more and more frequently, I can see how the one photog came to love shooting RAW.

The RAW image enhanced and saved as a JPEG. Results are simply amazing.

Finding the right angle can create a visual surprise

This image takes the advice found in the last post and adds another wrinkle: The importance of camera angle.

The Golden Sword Yucca on our backyard is a striking plant from almost any angle. But one of the most interesting angles is the one from above. I stood on a plastic lawn chair to get to the right height.

I have said this before but it bears repeating: If your knees are never soiled, you are not putting enough variety in the points of view captured in your pictures. Get down low, get up high (as was done to capture this image), spend some time seeking different angles. You will be rewarded.

An excellent news shooter I met through work told me he imagines a large, glass dome over his subject. He moves his camera all over the dome seeking surprising new angles. He discovered at media photo opts he was often off on his own, alone, shooting the event, while the herd of media photographers pushed and shoved each other jockeying to take the same shot.

"Printing" with the goal of making colours pop

Years ago I was taught to expose for the shadows and print for the highlights.The goal was to keep a little detail in both the extreme shadows and the extreme highlights. It was a good rule but it can be broken and with some success. (The rule applied more to black and while photography than colour as the two processes were quite different. Modify the development time for colour film and one risked suffering strange colour shifts and other unwanted results.)

This picture of my wife's chrysanthemums is a good example. The oh-so-dark background makes the bright colours pop and contrasts very positively with the clean whites in the flowers. A little detail would be acceptable, even preferable, but it must be minimized to avoid adding a distraction to the all important blooms.

This image was taken into Photoshop and the contrast carefully increased. Care was taken to hold the detail in the highlights. As a rule, we are far more lenient when it comes to accepting detail-missing shadows that blown-out highlights.

Continuous shooting is for more than action photography

Continuous shooting mode is for more than simply capturing sports action. We don't always have to strive for a peak action moment depicting time halted: a dog frozen in mid-air leaping for a Frisbee, a tobogganer launching from sharp bump in the slope or any of a thousand other exciting moments captured at the peak of the action. No, continuous shooting mode can be used to carve quiet moments out of a hectic activity.

This little girl can be a live wire, a tightly wound little bundle quickly fraying at the seams. Her smiles are grand but fleeting. They stick in one's memory but can be hard to capture with a camera. When she started bouncing, literally bouncing, about the room, I slipped my camera into continuous shooting mode and began firing. I cranked off more than five hundred pictures.

This moment was truly fleeting. She had bounded across the room and stopped quickly by grabbing the iron bed. She brushed her hair back and then with a solid yank on the bed she quickly exited stage right.

The moment is a bit of a lie. Oh, it happened. It had to have happened. I have the picture. But no one watching would have seen this moment. This is a purely photographic moment and a very good one at that.

Does the image show a side of the child with which we are all familiar? I'd say, "Yes." Is it a fair representation of what was happening Sunday? I'd have to confess, "No." And yet, I love this picture.

In the larger scheme of things, this is a very good picture of this little girl. It is both good and accurate. Anyone knowing her would recognize the expression and the gesture. It is a fine picture and I have no qualms about having shot a pile of images per second until I had burned through more than 500 images in order to get it.

I've got a fine shot, a fine family memory picture, and that is all that is important.

KISS: Keep it simple stupid

Mom took this with my Canon PowerShot S90: a true point and shoot.

Ah KISS: a fine command and so very appropriate in so many places. Buy a simple camera like a Canon PowerShot S90 and reap benefits for years to come.

Simple cameras carry lots of benefits. Remember, the goal for most of us is simply capturing a good picture. Often simple cameras making capturing simple, good pictures easy.

I wanted a picture at my 68th birthday party with two of my granddaughters. I didn't want a selfie with my arm extended. I wanted a moment captured and captured by another. I gave my S90 to my daughter, the mother of the two adorable little girls.

The S90 has a fast lens, f/2.0, and when set for low-light photography will continuously fire until the SD card is full. It may fire as fast as about two frames per second but many dispute this claim. Whatever the speed, it isn't fast enough for sports action but it will capture the action around a birthday cake.

Mom wasn't familiar with my camera but that wasn't a problem. The oh-so-automatic little Canon doesn't demand familiarity to deliver good pictures. I set the camera to its low-light setting, made sure the lens was set to wide angle in order to take advantage of the fast lens, and told mom to frame the picture and then just hold the shutter button down. The camera would do the rest, I said.

Mom did, the camera delivered, and I got my memory photos. There's a lot to be said for KISS inspired cameras.

Note: the successor to my camera, the Canon S110, has a continuous capture rate that can hit 10 frames per second used in low-light level mode. The technology behind these little cameras is anything but simple and the engineers responsible for their creation are certainly not stupid.

Seeing through another's eyes

Clearly, it is not possible to truly see through another's eyes but, that said, it is possible to be inspired by the vision of others. My image today is a good example of this.

My two-year-old granddaughter, Isla, absolutely loves birds: all birds. But, the little yellow finches that gather at our bird feeder are among her favourites. At this time of year, the birds will flit over to the nearby magnolia tree from the all too busy feeder. A little finch doesn't have to fight for a perch in the magnolia tree; there are ample perches for all.

I hadn't really paid attention to this and if one doesn't pay attention the moment will pass. The magnolia is only in bloom for a very brief period in the spring. There are only a few days to catch the shot. Isla made me see this and I thank her for it.

There is no shame in taking inspiration from others. One must simply give others the credit they are due. Many folk are shocked and dismayed to discover a favourite artist took inspiration from another. They write off the work as derivative: a copy. And sometimes, they are right. But, as often as not, the latest work is not a copy but a new take on an old song, a new twist to an old story, a new and glorious work of art reflecting on another, and very inspirational, piece of art.