Nice shot but the one that got away was better

A deer shot in Woodland Cemetery with a Fujifilm FinePix HS10.

I have tried to convince my readers that they should always have a good camera handy. I can't vouch for an American Express card but I can promise you when it comes to a camera "don't leave home without it."

I shot this deer relaxing among grave stones in Woodland Cemetery. One herd, possibly two, call the cemetery deep inside urban London, Ontario, home. Visit the cemetery and sighting one or more deer is almost guaranteed.

Saturday I took my three granddaughters to Woodland to view the deer. We found seven lounging about the front of a very ornate mausoleum with two reclining concrete lions guarding the building entrance. It was an amazing sight and I didn't have a camera. (My Nokia cell phone camera just wouldn't cut it.)

I missed a wonderful shot. Don't be like me. Keep your camera close -- all the time.

Sharp is important but . . .

Taken at Storybook Gardens with Fujifilm FinePix HS10. Note the sun-blocking hat. It's mine.

My shots are usually taken with a Canon PowerShot S90 and they are not always sharp. Today I used my Fujifilm FinePix HS10. What a difference.

The files are bigger and the images tend to be a little sharper. But, they are not perfect. It is at times like this that I know my photography would benefit from the use of a better camera.

Will I be buying a better camera? No. I'm retired and I can't afford a better camera when the two I have are still cranking out acceptable images. And, and this is important, the people in my pictures would not appreciate the better quality. Don't throw pearls . . . , my mother would say.

So, is there a lesson here. Yes. Buy the best camera you can afford and take care of it. It may have to last you a long time. Once you have purchased a camera, aim to shoot the best images you can. Push the envelope, as they say. And don't miss those moments, like the above. Eloise forgot her hat but found one of mine in the car. "This will have to do," she said. She made it clear that she wasn't going to get a sunburn.

Below, my picture of my granddaughter Eloise is a bit soft. The original file is small and quality could be better. All that said, it is an image to make a mother exceedingly happy and it will bring back happy memories for Eloise for many, many upcoming years.

I guess, when all is said and done, a good subject trumps good technical quality. Don't let your lack of cash prevent you from aiming for the moon or aiming at that granddaughter smiling away at the foot of your bed.

Taken with a Canon PowerShot S90.

Motor drives not only for shooting sports

I've said this in the past but it bears repeating. Setting your camera to its fastest, automatic setting in order to capture a short burst of pictures is frequently a good idea. I used the term motor drive in the title for this post but any fast firing, automatic setting is often better than simply squeezing off individual pictures.

Babies don't move a lot. They stay put -- unless they fall over. That said, babies do stuff and they do it quickly and often for just a moment. If your point and shoot suffers from even a little shutter-lag, you may well miss the moment.

My old Canon S90 can take quick bursts of pictures. I time my bursts with the anticipated action but there is still some luck involved. That said, if I tried capturing the baby's smile without using the series-taking approach, it would be a lot of bad luck that would be involved.

• To create catchlights in eyes, face the baby towards a window. 
• Try and shoot from the same level as the child. Don't shoot down.
• Soft light is better than harsh, strong, directional light.
• Try not to use very wide angle lens. Zoom out a little. 
• Keep a little distance between you and the baby.

Learning photography from a six-year-old

I know a lot of folk who could learn a thing or two about photography from my six-year-old granddaughter Fiona.

She has been using my Canon PowerShot S90 since she was two. The kid is confident and I am beginning to understand there is a lot of thinking going on in that young head.

The other day Fiona decided to shoot some pictures of her Shopkins. These are little collectible toys that are all the rage today.

I was amazed when I saw her pictures. They were actually pretty good. Unfortunately, the best shot was a bit out-of-focus. Hey, cut the kid some slack. She is only human and a damn young human at that.

What amazed me most about these shots were the backgrounds and foregrounds. Without prompting, Fiona told me that she spent more time finding the appropriate backgrounds and foregrounds than she did on setting up the Shopkins. I know adults who have never figured out that if it is in the picture it's important. They ignore busy backgrounds regularly and then wonder why their pictures don't have punch.

She also said lighting was important, especially for one shot showing a side-lit Shopkins pair.

She put the Shopkins on the wooden floor and chose a high shooting angle to minimize the sofa in the background. It almost worked. I thought the angle was too high but the lighting was remarkable. I loved the long, dark shadow.

Learn to think when taking pictures and be self-critical. Fiona does both but she needs a little time to mature. After all, she is only six.

Confidence will take you a long way

My six-year-old granddaughter took this picture for me. Thanks, Fiona.

Recently I received an LCBO gift card from a close friend. The LCBO is the government run liquor and beer store chain in Ontario for those who don't know. My friend suggested I take the card and buy three inexpensive but enjoyable wines. It was a good suggestion and I took it.

I wanted to send my friend a picture of me with my purchases but the only person handy to take the picture was my granddaughter who is six. When I told her what I wanted she smiled knowingly: "You have to use me. I'm the only person here." She was right.

Was I concerned? Not really. I've been letting Fiona use my little point and shoot, a Canon PowerShot S90, since she was two. The kid isn't perfect but she has confidence. I knew her confidence might carry the day and it did.

She took a picture, checked it on the monitor and ordered me to take another pose. She took shot after shot until she was satisfied. I don't think I smiled enough for her liking but she knew my poses were not going to get much better.

She also had an opinion on the wines. She feared the one with a "smelly" foot on the label might be a poor choice. Later, I discovered she might be right. Her mother, a wine consultant, agreed it might have been a poor choice: too sweet.

The point of all this is to have confidence when taking pictures. Shoot a lot and don't let anyone or anything dissuade you from taking another picture if you think you should. Keep plugging away and you'll walk away a winner.

Good pictures are rarely taken by the timid and certainly not by timid six-year-olds.

Asking kids to "say cheese" is cheesy

My oldest granddaughter uses her sewing machine and the sound bothers her sister.

My granddaughters have been asked to say "cheese" so often that when they play with a toy camera they ask their dolls to say "cheese." I'd like to scream: "Why!"

Saying cheese doesn't make a subject look like they are smiling. What it does is it stops them doing what they were doing that made you want to take a picture. Take the picture and forget the cheese.

Shooting RAW worth considering under difficult conditions

Love the swirling colours thanks to the slow shutter speed. A  lucky shot.

I've never been a big booster of shooting RAW. As mainly a shooter for a local daily newspaper, JPEG did just fine and it was quicker to work with when getting images into the paper -- or so I believed. This past Monday I had to question my position. I shot my six-year-old granddaughter on stage with the Kidlets of the Original Kids Theatre Company. Working on the RAW images was both fast and exceedingly easy.

I use Photoshop CS6 and Photoshop would not show me a preview of my RAW images. I had to boot up Bridge to see the all important previews. This isn't that big a deal but it is a miner hassle.

RAW image straight from camera.

Now, let me show you the RAW image as it came from the camera.

Now, in defence of my former love of JPEG images. When I was working, I was shooting with a top-of-the-line Canon camera. That was one wonderful camera and it corrected colour in camera using some amazing algorithms.

That said, two photogs at the paper tried shooting RAW. One loved it and found it fast and efficient. The other found shooting RAW slowed him down. News shooters cannot let anything creep into their working methods that eats into the time needed to get their images into the paper.

Today I am shooting with a Fuji FinePix HS10. It is a good camera for the price and I'm happy. That said I've learned to shoot RAW. It clearly offers more latitude when it comes to image enhancement. And, as I use it more and more frequently, I can see how the one photog came to love shooting RAW.

The RAW image enhanced and saved as a JPEG. Results are simply amazing.